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The Aquabats! Super Show! Wikipedia. The Aquabats! Super Show! is an American action- comedy television series which aired from March 3, 2. January 1. 8, 2. 01.
Hub Network. The series was created by Christian Jacobs and Scott Schultz, both the creators of the Nick Jr. Yo Gabba Gabba!, and Jason de. Villiers.[1][2]Based on the superhero mythology of The Aquabats, a real- life comedy rock band which series co- creator and lead singer Jacobs formed in 1.
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The Aquabats! Super Show! Styled similarly to the campy aesthetics of 1. Return To Snowy River Movie Watch Online. Japanese tokusatsu, Super Show! The series' first season concluded on June 1. Daytime Emmy nomination for Outstanding Children's Series.[4][5][6] The series' second season consisted of an initial five episodes which aired through June 2. December and January 2.
Daytime Emmy nominations, ultimately winning one for Best Stunt Coordination. In 2. 01. 5, over a year after the series' last original episode had been broadcast, Super Show! Daytime Emmy Awards. Following news of The Hub's relaunch as Discovery Family in June 2. Jacobs revealed during at panel at the 2.
San Diego Comic- Con that the channel had opted not to renew The Aquabats! Super Show! for another season, effectively cancelling the series. Jacobs was quoted as saying that the band plans to start pitching the series to other networks or online streaming services.[7]Series overview[edit]Premise[edit]Chronicled in both live- action and animated segments, The Aquabats! Super Show! is centered around the adventures of The Aquabats, a group of superhero rock musicians who travel the countryside on a self- appointed mission to fight evil and "destroy boredom", protecting the world from the villains and creatures who threaten to destroy it while aiming to become a famous rock and roll band in their own right.[8]The Aquabats consist of singer The MC Bat Commander (Christian Jacobs), the swaggering leader of the group; bassist Crash Mc. Larson (Chad Larson), who can grow up to 1. Ricky Fitness (Richard Falomir), who has the power of super speed; guitarist Eagle.
Amazonプライム・ビデオのタイトル数がここ最近グーンと増えましたが、その内訳を調べてみるとちょっと残念な結果と. The Aquabats! Super Show! is an American action-comedy television series which aired from March 3, 2012 to January 18, 2014 on Hub Network. The series was created by.
Bones Falconhawk (Ian Fowles), who's armed with a laser- shooting electric guitar; and keyboardist Jimmy the Robot (James R. Briggs, Jr.), an android.[8] Despite their superhuman strengths and abilities, The Aquabats are quite bumbling, disorganized, and sometimes cowardly when faced with danger; this has in fact led them to be labeled "the world's most inept superheroes".[1.
The band lives and travels by way of their "Battletram", a modified recreational vehicle which, despite its small exterior, has an implausibly massive interior (similar to the TARDIS from Doctor Who or The Big Bologna from The Kids From C. A. P. E. R.), which contains, among many things, a science lab, a command center, and a living room.[1. The Aquabats' origin story was left intentionally vague throughout the series, a choice Jacobs explains was done for the sake of the viewer's imagination, as kids are more accepting of the inherent absurdity of the premise than adults tend to be: "'There's five guys. This is what each of the five guys does. There are monsters. They're gonna try to fight them'.
It's so simple. And I think that's why it's so awesome with kids—they just take it and run with it".[1. In the first five episodes of season two, each member of The Aquabats shares their memory of how they joined the band via animated flashback sequences; however, all of these flashbacks directly and intentionally contradict each other, leaving it unknown which—if any—could be considered officially canonical. Format and influences[edit]. Many of the series' villains were carried over from The Aquabats' stage shows.
Pictured above is "Cobra. Penance Full Movie Online Free more. Man", appearing as a villain at an Aquabats concert in 2. Super Show! in 2. The Aquabats! Super Show! The Aquabats, interwoven with various tangential skits and cartoon interstitials.[3][1. Watch Hugo Online Freeform.
The live- action storylines are the primary focus of each episode, following a self- contained villain of the week formula. In the first season, each episode featured brief Anime- styled cartoon shorts which one of the characters would introduce at a random point of the show, often by finding "A Cartoon" (represented by a miniature television set) in an absurd location. Unlike the live- action segments, these cartoons followed a serializedstory arc, with each installment ending in a cliffhanger to be resolved in the next episode. In season two, this format was replaced with a series of animated flashbacks recounting the origins of The Aquabats, each by a different animation studio and in a different animation style. Between these segments are pantomime cartoon shorts starring "Lil' Bat", The Aquabats' anthropomorphic bat mascot, and live- action parody commercials for outlandish fictional products, the latter of which has long been a staple of The Aquabats' multi- media stage shows.[1.
Jacobs says the concept behind Super Show! While the show pays homage to many facets of pop culture, Jacobs has named the 1. Batman television series as the primary influence on Super Show!'s "obviously silly" tone and visual style, ranging from set design to the trademark use of dutch angles for villain scenes.[1.
Other notable influences Jacobs has repeatedly mentioned include the works of Sid and Marty Krofft and Hanna- Barbera, Japanese tokusatsu series such as Ultraman and Johnny Sokko And His Flying Robot, the Shaw Brothers and Hong Kong cinema, and shows including Danger Island, Star Trek, The Rocky and Bullwinkle Show, and Pee- Wee's Playhouse,[1. Demographic[edit]As The Hub's key demographic were children aged 6 to 1. Super Show! was ostensibly targeted towards said age group, though Jacobs has stated that the series primarily aimed to appeal to an all- ages crowd, with the intent of creating entertainment that both kids and parents can watch and enjoy together or separately.[1. In interviews prior to the series' premiere, he explained that this was merely an extension of The Aquabats' own family- friendly ethos: "There's just obviously something about the costumes and being superheroes that really appeals to younger kids, and I think we always knew that as a band..
I think we'll want to put things in [the show] for an older audience, because we realize we have an older audience, but then also we want the young kids, to not have it go over their heads".[1. Due to its scenes of action and slapstick, Super Show! Hub series at the time of its premiere to be rated TV- PG, alongside the animated sitcom Dan Vs.
R. L. Stine's The Haunting Hour. Production history[edit]History and previous attempts at a series[edit]. Christian Jacobs founded The Aquabats in 1. In 1. 99. 4, musicians Christian Jacobs, Chad Larson and former member Boyd Terry formed The Aquabats in Brea, California.[2. Influenced as much by cartoons and camp television as theatrical bands like Devo and Oingo Boingo, The Aquabats gained instant notoriety in the Orange County music scene for their eccentric persona in which they claimed to be a band of superheroes on a quest to save the world and their elaborate stage shows which regularly featured scripted fights with costumed villains alongside similar stunts and comedy sketches.[2. The Aquabats' second studio album, 1.
The Fury of The Aquabats!, proved to be a minor commercial breakthrough for the group, charting on the Billboard 2. MTV, leading Jacobs – a former child actor with ties in the industry – to develop the concept of adapting the band's mythology for television.[2. In 1. 99. 8, Buena Vista Television helped produce a live- action mini- pilot directed by comedian Bobcat Goldthwait titled simply The Aquabats!, following the comic misadventures of the then- eight member band in an over- the- top camp style similar to Saturday morning cartoon shows.[2.
The pilot, which has yet to be made available for public viewing, failed to generate any network interest and was ultimately even disowned by the band themselves.[2.