Cinema of Australia - Wikipedia. Cinema of Australia. No. of screens. 1,9.

Per capita. 9. 8 per 1. Main distributors. Roadshow/Warner 2. Paramount 1. 9. 0%Fox 1.

Produced feature films (2. Fictional. 29 (6. Animated. 4 (9. 3%)Documentary. Number of admissions (2. Total. 85,0. 00,0. Per capita. 4. 3 (2. Gross box office (2.

Total. A$1. 0. 9 billion. National films. A$4. The Australian film industry has its beginnings with the 1.

The Story of the Kelly Gang, the earliest feature film ever made. Since then, many films have been produced in Australia, a number of which have received international recognition. Many actors and filmmakers started their careers in Australian films, a large number of whom have acquired international reputations, and a number of whom have found greater financial benefits in careers in larger film producing centres, such as in the United States. The first public screenings of films in Australia were in October 1. Paris by Lumière brothers.

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The first Australian exhibition took place at the Athenaeum Hall in Collins Street, Melbourne, to provide alternative entertainment for the dance hall patrons. The venue would continue screenings, but these were all short films.

Commercially successful Australian films have included Paul Hogan's Crocodile Dundee, Baz Luhrmann's Moulin Rouge! Chris Noonan's Babe. Other award- winning productions include Picnic at Hanging Rock, Gallipoli, The Tracker, Shine and Ten Canoes.

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Australian actors of renown include Errol Flynn, Peter Finch, Rod Taylor, Mel Gibson, Guy Pearce, Nicole Kidman, Geoffrey Rush, Toni Collette, Hugh Jackman, Russell Crowe, Ben Mendelsohn, Cate Blanchett, Heath Ledger, Hugo Weaving, Naomi Watts, Abbie Cornish, Eric Bana, Joel Edgerton, Mia Wasikowska, Margot Robbie, Chris Hemsworth, and Sam Worthington. History[edit]The Australian film history has been characterized as one of 'boom and bust' due to the unstable and cyclical nature of its industry; there have been deep troughs when few films were made for decades and high peaks when a glut of films reached the market.[6]Pioneer days – 1. The Athanaeum Hall in Collins Street, Melbourne, was a dance hall from the 1. In October 1. 89. Australia, within a year of the first public screening of a film in Paris on 2.

December 1. 89. 5 by the French Lumière brothers. The Athanaeum would continue screenings, but these early screenings were all short films. The earliest feature lengthnarrative film in the world was the Australian produced The Story of the Kelly Gang (1. Athenaeum. The film was written and directed by Charles Tait and included several of his family. The film was also exhibited in the United Kingdom, and was commercially very successful. Melbourne was also home of one of the world's first film studios, the Limelight Department, operated by The Salvation Army between 1.

The Limelight Department produced evangelical material for use by the Salvation Army, as well as private and government contracts. In its 1. 9 years of operation, the Limelight Department produced about 3. The major innovation of the Limelight Department came in 1. Herbert Booth and Joseph Perry began work on Soldiers of the Cross, described by some as the first feature- length film ever produced. Watch David Brent: Life On The Road Hindi Full Movie. Soldiers of the Cross fortified the Limelight Department as a major player in the early film industry. The Limelight Department was commissioned to film the Federation of Australia. Boom and bust – 1.

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The 1. 91. 0s was a "boom" period in Australian cinema. It began slowly in the 1. World War I brought an end to film making.[8] While these numbers may seem small, Australia was one of the most prolific film- producing countries at the time. In all, between 1.

There was a general consolidation in the early 1. Australia which saw by 1. Australasian Films and Union Theaters which established control over film distributors and cinemas and required smaller producers to deal with the cartel. Some view the arrangement as opening the way for American distributors in the 1.

Australian cinemas to exhibit only their products, thereby shutting out the local product and crippling the local film industry.[1. There are various other explanations for the decline of the industry in the 1. Some historians point to falling audience numbers, a lack of interest in Australian product and narratives, and Australia's participation in the war.

Also, there was an official ban on bushranger films in 1. With the suspension of local film production, Australian cinema chains sought alternative products in the United States and realised that Australian- produced films were much more expensive than the imported product, which were priced cheaply as production expenses had already been recouped in the home market. To redress this imbalance, the federal government imposed a tax on imported film in 1.

Whatever the explanation, by 1. American films dominated the Australian market with 9. In 1. 93. 0, F. W. Thring (1. 88. 3–1. Efftee Studios based in Melbourne to make talking films using optical sound equipment imported from the USA.

The first sound films produced were in 1. Diggers (1. 93. 1), A Co- respondent's Course (1. The Haunted Barn (1. The Sentimental Bloke (1.

During the five years of its existence, Efftee produced nine features, over 8. Notable collaborators included C. J. Dennis, George Wallace and Frank Harvey. Film production continued only until 1.

Australian government to set Australian film quotas, followed soon by Thring's death. It was estimated Thring lost over ₤7. Cinesound Productions was established in 1. Ken G. Hall as its main driving force.[1.

The company was one of Australia's first feature film production companies which operated into the early 1. Australia's leading domestic studio, based on the Hollywood model. The company also used the Hollywood model for the promotion of its films and attempted to promote a star system. It was particularly successful with the On Our Selection (1. Steele Rudd, which featured the adventures of a fictional Australian farming family, the Rudds, and the perennial father- and- son duo, 'Dad and Dave'. Despite its ambitions, Cinesound produced only 1. Ken Hall. The company was financially successful.

The company ceased making feature films with the outbreak of World War II. In 1. 93. 3, In the Wake of the Bounty, directed by Charles Chauvel, cast Tasmanian born Errol Flynn in a leading role,[1. Hollywood career. Chauvel directed a number of successful Australian films, including 1.

World War II classic The Rats of Tobruk which starred Peter Finch and Chips Rafferty and 1. Jedda, which was notable for being the first Australian film to be shot in colour, and the first to feature Aboriginal actors in lead roles and to be entered at the Cannes Film Festival.[1. The Cinematograph Films Act 1. British cinemas that would be shot in Great Britain as well as nations in the British Empire that stimulated Australian film production. However the Cinematograph Films Act 1. British film industry by specifying only films made by and shot in Great Britain would be included in the quota that removed Australian films from the British local film quota, which saw the loss of a guaranteed market for Australian films.[1.

The first Australian Oscar was won by 1. Kokoda Front Line!, directed by Ken G. Hall.[1. 9] Chips Rafferty and Peter Finch were prominent international stars of the period. Rafferty's onscreen image as a lanky, laconic bushman struck a chord with filmgoers and he appeared in iconic early Australian films such as Forty Thousand Horsemen, The Rats of Tobruk, The Overlanders and Eureka Stockade (Overlanders and Eureka were part of a series of Australian themed films produced by Britain's iconic Ealing Studios).

In Hollywood, Rafferty also appeared in Australian themed films, including The Desert Rats, The Sundowners and Mutiny on the Bounty.

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